The Flow: Episode 87 - Easy Podcast Editing with Scenery

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Music.

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Aloha Flow Riders and welcome to the flow today we are going to be talking about scenery,

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so i had to bring Liza along hi Liza hi doc

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how's it going good good all right for the uninitiated real quick how would

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you describe scenery in a handful of words so you want the you want the elevator

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pitch or the staircase pitch oh wait hold on i like elevator my knees hurt,

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We'll go with the elevator pitch.

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So how do I describe scenery? Well, scenery is a web-based collaborative video editor.

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And at its core, we have your traditional nonlinear editor that you would see

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in other professional video editing tools.

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But we've layered AI workflows on top of scenery to make your life a little

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bit simpler and easier when it comes to video editing.

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So we are trying to make the editing process more enjoyable for you.

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Yes, you did. You absolutely did layer in the AI video editing, and it is so good.

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People, let me explain to you something. It is crazy good.

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Okay, so what we're going to do today is a couple of while back,

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you see now I sound like my granddad.

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A while ago, we integrated scenery with Ecamm so that when you're doing a podcast,

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this is the secret sauce for podcasters.

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When you're doing a podcast and you finish your session like we are today,

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there will be a button that says, do you want to open the file?

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Do you want to send it to YouTube? And one of the options there is to send it

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to scenery. Well, actually, three of the options there is to send it to scenery.

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Right. So currently you would probably go and hit like custom edit,

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which will send it up to the sky.

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But you could also just say, hey, generate me some shorts out of this before you even edit it good.

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You can have it generate you some shorts so you can start promoting the show

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while you're editing it so that when you release it, say a couple of days later,

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a week later, whatever your your cadence is, you've already been promoting it.

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So that's what's so cool about it. As soon as you're done, you just press a

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button and it's gone. on and it has to have those sound effects when you do your demo.

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Yeah, you must. You can import them into scenery too.

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I should add my own vocal sound effects because I'm forever making little weird

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interface noises. I have no idea why I do that.

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I don't even know where it started, but it's a habit now. I'm clicking on stuff, I'm like .

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That pop sounded like a, you know, one of those sound effects.

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Yeah. So I think I used to do it in editing as a reminder to go back and put them.

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But then if you're doing it live, you just leave it. That counts.

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That's just as good. It works probably better than the fake ones now because

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everyone uses the fake ones. So super interesting.

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Let's dive into scenery and show some of the folks basically how this would work.

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Awesome. So as I mentioned, Scenery at its core has your traditional NLE.

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So you could see here, you've got your timeline editor.

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We actually went ahead and imported a few episodes from the flow.

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So this is going to be pretty meta because we're, you know, on the flow talking

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about the flow and we're editing a video from the flow.

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So what I did here is I imported this piece of media and I actually imported

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directly from your YouTube page.

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So what's cool is if you're going from Ecamm and you're just directly publishing

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to YouTube, you could take that YouTube link as well and just pop it in and

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boom, scenery will transcribe that for you, as you can see here.

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And I will take you through the process of how I created these AI shorts.

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But what you'll notice in scenery now is you'll have this AI shorts tab here

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that will generate a bunch of different AI shorts for you to then say,

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okay, these are really cool talking about how AI is revolutionizing.

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Let me just extend this out podcast production

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so this is katie and doc talking about ai revolutionizing

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podcast production if we want to watch it we could absolutely

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play it play it back if we're like all

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right well this subtitle is kind of covering doc's face i can go ahead and fine-tune

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that and edit it further yes you know what's funny is we were talking pre-show

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about how whenever you catch someone on the pause screen you always catch it

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with the dumbest look on their face and you just had me over there with the whole mouth wide open.

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That's hilarious. Well, so obviously, this was already done.

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So I've already generated these AI shorts, and I'll show you how I go about that.

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But you saw you see how quick this is, this is a really nice quick 47 second

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cut down that I can now fine tune and change and maybe have it catered to my colors if I wanted to,

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or perhaps we could do a fun purple or blue for the for the flow.

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But let's kind of backtrack here and show you how I went about this process.

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And, Doc, feel free to stop me with any questions as I take you through this workflow.

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The first thing I want everyone to notice, especially you, Robin.

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No, I'm just saying hi, Robin.

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The one thing I want you to notice, what makes this so good and why I fell out

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of my chair when I first got the message that this was going to happen,

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is because in many of the other situations where you're going to do this,

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you got to run it through the AI.

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The AI is going to spit out something and they might have some cute editing

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tools, which is like, I'm going to give you a scissor, a masking tape and a

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screwdriver and tell you to fix something.

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Whereas scenery is an actual editor. So you have the entire home depot down there.

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So if you need to edit that clip, everything you need to edit it properly is there.

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And that's what makes this excel well it's not excel at scenery but you know what i mean.

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Yes so all right we're gonna just i'm gonna

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jump back into the scene here so you can see as if we were starting

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from scratch here so we've got two episodes that we've imported from youtube

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as i mentioned this one's about an hour long now again let's just say maybe

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we don't want to listen to the full episode and we just want to you know create

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those shorts maybe you're coming back a a week later and you decide you want

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to create some shorts. So.

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You don't remember what the whole episode was about. Well, what we've got for

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you here is the opportunity for you to take this one hour video and generate

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10 different shorts that you could then fine tune.

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So I'm going to go ahead, I selected this asset here.

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We've already transcribed that if your footage is not transcribed,

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totally fine. We'll also do that for you automatically.

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I'm going to select a assist here. And you're what you're going to get is this

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nice modal that gives you a few different AI options.

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You've got AI cut down, which was previously in Siri.

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You might have already used that, where you can then again specify what exact

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moment you want from your cut down, from your transcript to create that cut down.

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So you could do a social teaser, you could do key takeaways,

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you could specify that duration.

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But now we've incorporated AI shorts.

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And what that's gonna give you again, are those 10 different clips that I previously just showed.

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Now here we can specify a keyword. So again, in that flow episode,

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Doc and Katie, you guys are talking about AI tools.

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So I can specify like Claude or whatever you were talking about there,

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Captivate, or I can just let AI Shorts do its thing.

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And I also have the opportunity to add my subtitle style.

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So I already went ahead and saved some of these subtitles to my brand kit,

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which I'll show you how I went about that.

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You can, of course, choose your own style, or you could choose one of the scenery

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presets that we've got here. So let's just go with word highlight.

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And I will also call it like with cut down, you can specify your duration.

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So we'll go 30 to 60 seconds.

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When I click generate, that's going to get added to this little panel over here.

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So what's great is you could start doing your own thing while it's transcribing,

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while it's analyzing, while it's auto reframing.

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We've already done it once, so it's going to only simply analyze.

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But you can start doing other stuff while this is happening in the background.

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So that's almost done here.

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That is so handy. I was doing something the other day and I started an export.

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And then once I started the export, I was exporting a clip. And then I was like,

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hey, I want to go and make some shorts.

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So I started making the shorts and I'm like, two seconds in,

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I was like, wait, I don't have to wait for this. I can do this now.

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It is cool that you can like, you know, maybe you're sending out one for Facebook

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and you You send out a different one for Tik TOK and you send out a different

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one, say for YouTube, you can actually have them cranking in the background

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while you're doing something completely different, which is absolutely rad.

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Yes, exactly. So like this one here, it's already transcribed as well.

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But we haven't run on AI Shorts on this one yet. So let's go ahead and do it for this one too.

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Again, I'll try to do a different subtitle here. Let's go with the word by word

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and I'll click generate.

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So again, that's now analyzing, it's going to get the auto reframe.

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As that's going, let's take a look at our other results for the other episode.

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So we have this AI Shorts tab now. So anytime you generate an AI shorts,

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you'll get a new collection.

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So this was our latest one here. And again, we pulled, when I showed you the

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initial results, it pulled from that same episode.

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So here we go. We've got another set of eight this time, and you see the description.

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And I want to call out a few things with our AI shorts. So we,

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you'll notice a score of one to a hundred here, and we are giving you a score

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based on how we believe your audience will engage with this clip.

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So you could see this one got a score of 85, this one got 85,

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this one got 80, and so on and so forth.

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So we're giving you a scale of 1 to 100, what we believe will be an engaging

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clip or short, I should say, for your audience.

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Now, I will call out again, you can preview this and let's go ahead and preview this out.

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We're going to talk today about doing some AI.

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So I guess production for your podcast. Captcha.

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So, okay, we could totally just click export from here. We could reject it.

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Let's say we don't like this one.

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When I click reject, it'll get minimized here.

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Let's not reject it though, because let's just say we want to edit this one out.

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I'm going to click edit because these subtitles are not in the spot that I want them to be.

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So I'm going to click edit. When I click edit, that's going to get added as

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another scene to your project. So let's go back to my project panel here just

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so you could see what happened.

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So previously I clicked edit when I initially showed you the results of AI shorts,

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and now I've got another one.

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This is the same, clearly it's the same clip it pulled. So let's go ahead,

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let's pull a different one just so you could see the difference here.

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So I'm going to click edit on this one.

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And now a new, this exact short was added to my timeline.

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I'm going to go back to my project and now you'll see there's a third added

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there. So now we've got one, two, and three. And now we're in this one.

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And let's go ahead and minimize this while that's auto reframing.

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Again, it's analyzing the second episode right now.

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And great, we've got a short ready. We could go ahead.

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We could, as I said, publish this directly in export, or maybe we want to adjust.

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So I'm going to go ahead and fine tune some of these subtitles here.

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I'm going to turn on my safety overlays. This is really great for if you know what.

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Can I ask you about that? This is the best, this is the best safety overlays.

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And here's another one that's really cool, guys.

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Where, like, my name is even going to be underneath this, probably Instagram you selected, yes?

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Yes, most likely. Yes. So we can adjust if even if if we're spitting this off

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for Instagram and I know that my name is going to be underneath all of that stuff.

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What's really cool about scenery is I'm able to raise the clip higher,

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maybe put a rectangle underneath my clip.

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So that way, you know, that becomes a solid color or something. Right.

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So it just it doesn't distract from people trying to read through the thing.

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Like the thing it doesn't distract from

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people trying to read through the interface let me put it that way um also

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a big one for me i have the world's

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hugest melon uh in comparison to liza i wear a legit size eight raiders hat

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so she wears probably a six and five eight bears hat like yeah it's not going

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to work so what's really cool is that you can resize these elements you can

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adjust us, you can make it look cute.

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Maybe you want to attract attention by making your clip slightly catawampus.

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That's a Hawaii word for tilted.

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Just because it's different, nobody's doing tilted. You can try things to attract

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and engage attention that nobody else can do. Your branding can go down there.

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There's so much things that you can do that makes this way cooler and other

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people just don't have this that's why it's sick to me yeah and exactly that

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doc right as you're talking i was starting to um assemble your name and then

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in another spot over here i was minimizing.

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Your your asset your clip here and i added a shape background that way we could

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easily maybe we cater it to the the branded purple that you've got there so

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i'm just going to go ahead and select from my, here we go.

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So now it actually looks like it's actually pretty in sync with the look and

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feel, obviously this one's a little bit lower.

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So we could go ahead, copy those those attributes and paste them onto this clip if we wanted.

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And now we can readjust all these other clips quickly for you, Doc.

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And boom, there we go there. It's ready for YouTube or whatever platform it needs to go to.

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This is so close. And again, people, if you just signed up, if you just joined

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today, we're talking with Liza from scenery and we're showing you scenery is new.

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AI cut down to aka, oh, Barrett had a word. I forgot the word.

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Don't be mad, Barrett. What is the word?

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AI shorts. Or AI shorts.

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AI shorts. Why did I? Never mind. It's early. Hi, guys.

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Anyway, we just got here. Come and check it out. So, yes. And Daryl,

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if you notice, Daryl was asking if you can copy and paste the attributes to

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all the clips in the timeline. She just did that.

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So that's really, really sick

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is that she copied it from the of work when you're pasting it to the rest.

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Correct. Yeah, you just click copy and then you can paste the same attributes

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of the position of them here as well.

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Obviously, this one's good to go, but we could go ahead and go back to our project,

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back to our AI Shorts and start working on another one while that one's getting exported.

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I could go ahead, I could edit this one about with Katie in frame.

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And again, let's say Katie's, you know, not exactly where we want her to be

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with her name. And I can adjust these over here.

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And let's just say this isn't the subtitle that's catered to our brand.

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I'm going to go ahead. I'm going to do some tweaking here. I'm going to go ahead

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and make it, you know, the fun flow colors here.

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It's kind of can't really see it that well. Actually, let's go back to a pop of yellow. Hello.

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Let's add a nice, cool, opaque background, though. And maybe we want to make that the color of.

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Oh, yeah. I forgot about that. I'm always putting a red background back there,

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but I forgot that you can do an opaque window.

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Yeah, you can make it fun like you would on other tools. Like I can make it more radius.

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And then now, obviously, we've got this weird black background.

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Background so once again what i did with docs clip before i went to my shapes

00:17:02.394 --> 00:17:08.834

i went to background and i'm going to simply drag that here,

00:17:10.934 --> 00:17:19.994

and i can one more time i said amazon is bringing you a package oh amazon you

00:17:19.994 --> 00:17:21.314

heard that knocking at my door?

00:17:21.694 --> 00:17:25.514

Uh-oh. Yeah. Someone's knocking at my door.

00:17:25.734 --> 00:17:30.554

They'll come back at another time. I'll tell them to come back.

00:17:31.214 --> 00:17:34.914

Uh-oh. There we go. Give me one second here.

00:17:37.985 --> 00:17:43.045

Yeah. So, guys, here's the other thing that's really fantastic about this is

00:17:43.045 --> 00:17:49.525

not only do you have the ability to, again, go and edit these clips and have

00:17:49.525 --> 00:17:51.465

real full functional edits.

00:17:51.805 --> 00:17:58.385

When you finish a clip and say you've done your overlay based on IG in the timeline,

00:17:58.705 --> 00:18:01.145

I'm sorry, in the canvas, which is down there on the bottom,

00:18:01.205 --> 00:18:03.585

you'll see the word timeline. and right next to it, there's the word canvas.

00:18:03.865 --> 00:18:09.785

You can click on the word canvas, duplicate that edit and go in and name that

00:18:09.785 --> 00:18:14.565

one, say TikTok and slide the assets around to make it fit TikTok.

00:18:14.865 --> 00:18:18.425

But you're not really have to re-edit the clip. You're just gonna adjust where

00:18:18.425 --> 00:18:21.425

the interfaces get in the way of each other, right?

00:18:21.505 --> 00:18:27.305

So in other words, in the Instagram overlay, their UI or buttons you press is

00:18:27.305 --> 00:18:28.605

a little different from TikTok.

00:18:28.785 --> 00:18:33.005

So this is why when people just take their clip from TikTok and download it

00:18:33.005 --> 00:18:35.205

and re-upload it to IG, it looks so horrible.

00:18:35.525 --> 00:18:39.885

It's because the things are lined up in different places, but without any work

00:18:39.885 --> 00:18:44.705

on your computer, without your computer being slow, you can just duplicate that

00:18:44.705 --> 00:18:47.985

canvas and then readjust the assets,

00:18:48.325 --> 00:18:53.165

which is going to take you seconds as opposed to having to re-edit the entire

00:18:53.165 --> 00:18:55.745

clip to make it fit the various platforms.

00:18:55.925 --> 00:18:59.445

So again, massive time freaking saver.

00:19:00.245 --> 00:19:03.545

Yeah. I want to call out the canvas. Thanks doc.

00:19:03.765 --> 00:19:08.465

Um, so yeah, you could see here, I've got all my different that goes unspoken.

00:19:08.505 --> 00:19:13.425

This is my legit favorite feature because I often have kind of,

00:19:13.445 --> 00:19:16.005

um, AB split tweaks on reels too.

00:19:16.105 --> 00:19:21.225

Like I'll let a reel run one way and then I'll re spit out a similar reel, um,

00:19:21.365 --> 00:19:24.665

with just a little change up and see which one does better and this is how you

00:19:24.665 --> 00:19:29.365

can do it and yeah it just works yeah it's pretty cool because you could just

00:19:29.365 --> 00:19:32.785

if you're somebody who's like a visual learner like me um you could quickly

00:19:32.785 --> 00:19:36.265

just scan and see your scene so all these scenes are living in your timeline

00:19:36.265 --> 00:19:40.545

as well um so just to for reference here i go back to my timeline,

00:19:42.000 --> 00:19:45.780

And I'm going to click my project. And you're going to see those same four scenes

00:19:45.780 --> 00:19:49.100

are over here. Let's clean this up, though, because we've got a few dupes.

00:19:49.400 --> 00:19:53.660

Yes, Tora. Tora's mind is blown. You can go ahead and sweep it up off the ground now.

00:19:56.620 --> 00:20:00.300

And I mean, like, as simple as it is, right?

00:20:00.400 --> 00:20:06.200

We took this one hour with this one hour episode here. We selected AI assist.

00:20:06.660 --> 00:20:12.040

We clicked AI shorts. we specified what we wanted for our subtitle look feel

00:20:12.040 --> 00:20:18.640

same with that duration we click generate and then what you get is a shorts

00:20:18.640 --> 00:20:21.860

tab up here and you get your results in your,

00:20:22.720 --> 00:20:31.240

shorts panel and I will also call out doc as I went ahead and I adjusted those

00:20:31.240 --> 00:20:32.420

subtitles let's Let's go back

00:20:32.420 --> 00:20:38.340

to over here because I didn't get to finish the process of my edit here.

00:20:38.480 --> 00:20:41.760

I had a knock at the door, so I apologize for that.

00:20:41.940 --> 00:20:47.100

But let's say this is like where we want exactly our subtitles.

00:20:47.980 --> 00:20:53.140

Subtitles. I could go ahead and I can save this, save this brand style as,

00:20:53.200 --> 00:21:02.660

you know, whatever it may be, Ecamm, the flow, purple background or whatever it is.

00:21:02.940 --> 00:21:06.200

And now that gets saved to my brand kit.

00:21:06.320 --> 00:21:11.940

And I can use that ongoing for ongoing edit. So if I were to go back to this AI shorts.

00:21:12.340 --> 00:21:16.400

I go back to this collection. I see what I've added. You can see that check

00:21:16.400 --> 00:21:18.480

box to see what's been added to my project.

00:21:18.840 --> 00:21:21.120

Let's go with this one. Edit.

00:21:28.000 --> 00:21:29.360

I just saved.

00:21:39.138 --> 00:21:39.778

Over and over.

00:21:45.298 --> 00:21:48.938

I'm laughing at Tora. Tora says, shut the front door. This is amazing.

00:21:49.758 --> 00:21:53.798

That's good, Tora. That's very good. Keep it coming.

00:21:54.318 --> 00:21:57.058

Okay. Well, I could blow your mind a little bit more here.

00:21:57.218 --> 00:22:01.798

So with that brand kit, you also have the opportunity to save like logos and

00:22:01.798 --> 00:22:04.458

cool animations to your brand kit as well.

00:22:04.518 --> 00:22:07.718

So let me go home here just so you could see where all that

00:22:07.718 --> 00:22:13.178

fun stuff live so I'm gonna go home to my home various projects

00:22:13.178 --> 00:22:15.938

that I have within my team and then I also have a

00:22:15.938 --> 00:22:18.898

brand kit tab over here

00:22:18.898 --> 00:22:22.318

where I could then click brand styles and this

00:22:22.318 --> 00:22:25.898

is where you'll save all your colors your fonts those subtitles that we just

00:22:25.898 --> 00:22:31.418

saved here they are we could delete them if we wanted and readjust and then

00:22:31.418 --> 00:22:35.958

within the brand assets here you have the opportunity to save some maybe an

00:22:35.958 --> 00:22:40.498

intro card an outro whatever it may be lower third an animation,

00:22:41.058 --> 00:22:43.798

wipe so things like that that maybe you've already created an

00:22:43.798 --> 00:22:46.718

ecamm you could save to scenery so that way when

00:22:46.718 --> 00:22:49.538

you're in that post-production process you can

00:22:49.538 --> 00:22:52.638

edit and fine-tune and um you

00:22:52.638 --> 00:22:55.918

know make those a little bit more accessible

00:22:55.918 --> 00:22:58.798

in any project which would super legit

00:22:58.798 --> 00:23:03.638

i think i think one of the big things that's so legit about this and I really

00:23:03.638 --> 00:23:08.118

I hope people let this sink in their head the thing that makes it so good is

00:23:08.118 --> 00:23:11.938

again once you spit out your shorts if you want to make any tweaks to it you

00:23:11.938 --> 00:23:17.738

can't uh the other thing that this would allow you to do um because of the way.

00:23:19.243 --> 00:23:23.663

It is all put together on the timeline. You could take a bunch of assets from

00:23:23.663 --> 00:23:27.803

a bunch of different shows and put together like a highlight reel, right?

00:23:27.903 --> 00:23:35.263

You can probably go and find three, four minute landscape clips to use as highlight reels.

00:23:35.423 --> 00:23:42.483

So if you watch some of the bigger channels, prime example, the news, right?

00:23:42.583 --> 00:23:45.483

The news in your town or whatever station you watch, whatever they do,

00:23:45.583 --> 00:23:49.683

they run an hour long news program, but they'll cut the individual stories up

00:23:49.683 --> 00:23:52.243

into two and three minute segments.

00:23:52.663 --> 00:23:58.723

So if you are doing, um, like for the other day, we were talking about various

00:23:58.723 --> 00:24:03.563

shore microphones and there's just a section where we were talking about how

00:24:03.563 --> 00:24:05.163

to use the shore motive app.

00:24:05.643 --> 00:24:15.383

I can take just that piece, which is about four minutes and spit it out as its own separate clip.

00:24:15.603 --> 00:24:20.043

It's already on the browser. I can just press YouTube. And the other thing that

00:24:20.043 --> 00:24:23.943

I completely forgot about, and I'm kind of laughing at myself now because I've

00:24:23.943 --> 00:24:26.003

been using scenery for quite a long time.

00:24:26.663 --> 00:24:29.923

I totally forgot that you can just ingest it from YouTube.

00:24:30.303 --> 00:24:35.003

As a matter of fact, one of the last shorts thing I did, I downloaded my video

00:24:35.003 --> 00:24:38.283

from YouTube using something that we're not supposed to talk about on YouTube

00:24:38.283 --> 00:24:40.763

and then uploaded it to Cineway.

00:24:40.903 --> 00:24:43.263

And then when you were showing that just now, I was like, you stupid.

00:24:44.503 --> 00:24:47.703

And the button is right there. It's right next to I drag it in.

00:24:47.823 --> 00:24:51.603

So it's really dumb. And I don't know why I didn't think of that as much quicker.

00:24:52.343 --> 00:24:58.003

So yeah, super amazing. Yeah, so I'm now back in my project.

00:24:58.103 --> 00:25:00.003

I don't know if you can see my screen.

00:25:00.943 --> 00:25:06.803

Did you hear the part where I said, send me an invite so that way I can show

00:25:06.803 --> 00:25:09.603

them the sharing or the collab?

00:25:09.903 --> 00:25:12.503

Yeah, let me send you an invite right now.

00:25:14.083 --> 00:25:19.463

I'm probably already in. DocRock at Gmail. I don't know if you're in this one.

00:25:19.623 --> 00:25:22.003

Is it DocRock at Gmail? Yeah.

00:25:23.051 --> 00:25:30.291

So you can see obviously doc has his own uh scenery account but i'm gonna invite

00:25:30.291 --> 00:25:37.111

him to this specific project so i'm gonna click share so now doc could come in here with me.

00:25:38.291 --> 00:25:43.151

So it's really cool is i'll be able to see what she's done but i can also leave

00:25:43.151 --> 00:25:50.071

um comments and be like hey you know here's this is really good or can we add

00:25:50.071 --> 00:25:52.651

this clip oh this other person just

00:25:52.731 --> 00:25:56.411

sent a logo or, you know, sure was really helpful in this.

00:25:56.511 --> 00:25:59.991

So if you look at the timeline in a second, you'll see my cursor,

00:26:00.091 --> 00:26:02.351

like where I'm moving around in there.

00:26:02.371 --> 00:26:05.371

And there it is. There's a little green me. Look at that. Not cool.

00:26:05.651 --> 00:26:09.871

So I'm not going to mess with editing at the same time as her,

00:26:09.931 --> 00:26:13.991

but I can easily leave her comments and she can react upon those comments.

00:26:14.171 --> 00:26:16.591

And so it's really, really cool.

00:26:17.391 --> 00:26:20.311

Doc, you want me to put you on the spot here? I was going to app message

00:26:20.311 --> 00:26:23.951

you or you're typing cool so you could see that doc's typing and

00:26:23.951 --> 00:26:27.751

you can app message liza and i'll get an email notification so

00:26:27.751 --> 00:26:34.291

he just wrote my face looks stupid no it doesn't doc but what i can do is if

00:26:34.291 --> 00:26:39.111

i wanted to actually have you make an edit here and for to see the real-time

00:26:39.111 --> 00:26:43.211

magic of this where are you you're not popping up in my team i think because

00:26:43.211 --> 00:26:44.451

you're a guest that's That's why.

00:26:44.531 --> 00:26:49.291

But if you wanted, you could app message your teammates and have them change

00:26:49.291 --> 00:26:51.151

something in real time right away.

00:26:53.416 --> 00:26:58.536

Yeah, to me, it's one of my, again, one of my favorite features because it's

00:26:58.536 --> 00:27:02.416

something that if you are, you know, hosting with someone or you just want to

00:27:02.416 --> 00:27:05.096

send the person who was your guest,

00:27:05.216 --> 00:27:07.996

if you want to send them the clips and have them look at it before you embarrass

00:27:07.996 --> 00:27:09.316

them on the Internet or something,

00:27:09.516 --> 00:27:11.816

it's something that you can do that doesn't require,

00:27:12.196 --> 00:27:14.276

you know, you can make those edits on the fly.

00:27:14.276 --> 00:27:17.316

They can see them right there you don't have to like fix it

00:27:17.316 --> 00:27:20.736

send it fix it send it fix it yeah that that rigmarole takes

00:27:20.736 --> 00:27:24.056

way too long so i just wanted to make sure we covered that before i

00:27:24.056 --> 00:27:27.556

forget but to me it's one of the clutch

00:27:27.556 --> 00:27:33.096

features of scenery yeah and you can see there obviously i changed like okay

00:27:33.096 --> 00:27:37.996

let's go ahead and change this background back to like that cool blue here and

00:27:37.996 --> 00:27:42.616

if i go back to my scene review doc will see that on his end change as well

00:27:42.616 --> 00:27:47.096

like you're not You don't have to render and export over and over again. That's there.

00:27:47.676 --> 00:27:51.476

I basically see it almost in real time. It's only a couple seconds off.

00:27:52.816 --> 00:27:57.276

Yeah, and it could also be the delay of us recording and sharing my screen,

00:27:57.356 --> 00:27:58.456

but it should be instant.

00:27:58.756 --> 00:28:04.716

So definitely test it out with your guests, with potentially other editors helping you out.

00:28:05.156 --> 00:28:10.196

It's a really great feature to jump in and collaborate with others.

00:28:11.636 --> 00:28:17.396

So, Doc, how about, do you want me to take you through the AI Shorts workflow?

00:28:18.976 --> 00:28:23.576

Again, for those who are jumping in for the first time, do we want to show some

00:28:23.576 --> 00:28:29.196

other scenery functionality and features in terms of asset management and organizing your media?

00:28:29.976 --> 00:28:35.496

Where do you think? I think one of the goals would be is when we go to AI Shorts,

00:28:35.496 --> 00:28:37.816

let's put in like a keyword,

00:28:39.049 --> 00:28:43.229

In order to show them how you can focus around something. So if you look on

00:28:43.229 --> 00:28:45.349

the one where we're talking about MV6.

00:28:46.829 --> 00:28:49.889

The shirt. The shirt. Yeah. Conversation. The first one.

00:28:50.609 --> 00:28:52.429

Yeah. So we generate shorts off

00:28:52.429 --> 00:29:00.649

of that and we can put in MV6 or popper stopper and see what it pulls up.

00:29:00.749 --> 00:29:07.769

So you can refine your shorts to like find what you're talking about, which is also clutch.

00:29:08.529 --> 00:29:13.209

Yeah. And as you can see here in the info panel, once it's transcribed,

00:29:13.469 --> 00:29:19.709

you could see that we've given the clip, the episode here, a summary.

00:29:19.869 --> 00:29:23.689

So you can utilize this summary to your advantage as well if you want to just

00:29:23.689 --> 00:29:26.609

quickly understand what the topic was about.

00:29:26.749 --> 00:29:29.089

OK, so they introduced the MV6.

00:29:29.289 --> 00:29:33.189

So let's just type in MV6. As you said, Doc, we're going to click on the episode.

00:29:33.209 --> 00:29:37.129

It's about 49 minutes long here. Let me just clear this queue.

00:29:37.569 --> 00:29:42.469

If your AI Shorts fails, hopefully it shouldn't. You could always regenerate

00:29:42.469 --> 00:29:45.409

it again. But I'm going to click AI Assist here.

00:29:46.089 --> 00:29:49.769

And I'm going to click AI Shorts. I'm going to type in MV6.

00:29:50.289 --> 00:29:55.069

And I'm going to do, let's do the Ecamm. Now we've got the subtitle saved.

00:29:55.529 --> 00:30:02.409

Let's do 30 to 60 seconds. And let's see how many times the MV6 was talked about

00:30:02.409 --> 00:30:04.569

and see if we can create some shorts from it.

00:30:04.609 --> 00:30:08.689

So it's analyzing again, we've already done it once we've already transcribed,

00:30:08.789 --> 00:30:10.289

we've already auto reframe.

00:30:10.349 --> 00:30:15.349

So now the last step is just analyzing the whole episode here.

00:30:15.429 --> 00:30:16.849

So it shouldn't take much longer.

00:30:17.009 --> 00:30:22.849

But if you didn't want to wait, you can always edit and do other things as well. Okay, success.

00:30:23.049 --> 00:30:26.189

So we've got it successfully uploaded, you'll

00:30:26.189 --> 00:30:29.969

also get an email once that AI shorts is finalized

00:30:29.969 --> 00:30:32.729

and produced so doc is in this edit with me

00:30:32.729 --> 00:30:36.089

he can absolutely go to his own panel with AI

00:30:36.089 --> 00:30:40.849

shorts and see those results as well and when

00:30:40.849 --> 00:30:46.769

we jump in here it should just filter it in just a second here it's probably

00:30:46.769 --> 00:30:52.149

just taking some time to it's sweet time to load so we'll let it load in just

00:30:52.149 --> 00:30:58.769

a moment here we did get a successful output so So we should see it pop up here in just a second.

00:31:01.041 --> 00:31:07.461

One of the things that I absolutely love to do is, so you're editing and you're

00:31:07.461 --> 00:31:11.141

done and you stop to go get a coffee or you take a drink of water or something.

00:31:11.241 --> 00:31:15.241

You come back and it says, hey, we updated scenery, refresh the page.

00:31:15.401 --> 00:31:19.541

It doesn't bother your editor or anything, but that lets you know that they're working.

00:31:19.861 --> 00:31:22.981

It lets you know that they're constantly doing something to make it better.

00:31:23.261 --> 00:31:26.801

So I absolutely love that, too. I love when I'm up in the middle of the night

00:31:26.801 --> 00:31:29.541

doing something and it's like, oh, yeah, we just updated scenery.

00:31:29.541 --> 00:31:32.501

And I'm like, wait a minute, you guys are still awake. Go to bed.

00:31:36.241 --> 00:31:39.701

We're always innovating. We're adding new features all the time.

00:31:39.841 --> 00:31:41.901

Okay, there it is. It's 11. You've got 11.

00:31:42.221 --> 00:31:45.381

So it was just taking its time to think for a minute.

00:31:45.501 --> 00:31:51.241

But here we go. We've got a 92 ranking about Doc talking about the MV6 Game

00:31:51.241 --> 00:31:55.321

Changer 2, Game Changer 4 content creator.

00:31:55.501 --> 00:32:00.661

So cool. We've got that one. Then here's another one, a beginner-friendly mic with pro features.

00:32:01.841 --> 00:32:06.601

Let's see, the ultimate game-changing mic, a gaming mic, excuse me.

00:32:06.961 --> 00:32:12.161

And then here's another one, the MV6. So it's got a really a lot of great high

00:32:12.161 --> 00:32:13.841

hits here talking about it.

00:32:13.921 --> 00:32:16.661

So this one's 75. So let's go with the 92 ranked one.

00:32:17.341 --> 00:32:21.161

And I'm going to click edit so that way Doc and I can jump in this one together.

00:32:21.841 --> 00:32:26.841

And here we go. We've got Katie. Then it cuts to, it should cut to Doc.

00:32:26.841 --> 00:32:30.941

And you'll notice that we do the automatic reframe.

00:32:31.101 --> 00:32:34.461

And for those who are like, okay, well, what if I wanted AI shorts for that

00:32:34.461 --> 00:32:38.501

16-bit by 9, and I don't want it just for that 9 by 16?

00:32:39.041 --> 00:32:44.901

We're going to be adding the capability for you to create AI shorts for your

00:32:44.901 --> 00:32:47.381

16 by 9 and other aspect ratios as well.

00:32:48.361 --> 00:32:53.041

So don't think that you're confined and stuck with the 9 by 16s, but that's coming.

00:32:53.921 --> 00:32:56.761

That's brilliant because while you were gone i was saying one of the things that'd be really cool

00:32:56.761 --> 00:32:59.641

is being able to take a bunch of shirts that you made but

00:32:59.641 --> 00:33:02.561

then go back and turn that into a clip that lives on youtube

00:33:02.561 --> 00:33:08.261

that's the regular frame so yeah it's actually super rare yeah and you can manually

00:33:08.261 --> 00:33:12.501

do that right now too if you wanted so like we added this one entire project

00:33:12.501 --> 00:33:18.741

and i can easily duplicate this you know call this game change changer for content

00:33:18.741 --> 00:33:21.041

creators right um and i I could just call this,

00:33:21.161 --> 00:33:23.381

you know, maybe we rename it and we call it YouTube.

00:33:23.581 --> 00:33:28.601

I could change it to 16 by nine and then, Oh, that was kind of funky.

00:33:28.761 --> 00:33:34.401

It clearly moved to the frame out here, but we could easily just reset to have

00:33:34.401 --> 00:33:36.761

it be, you know, the position be zero and zero.

00:33:37.081 --> 00:33:42.281

But as I mentioned, we will be adding, uh, the feature for you to just do it

00:33:42.281 --> 00:33:46.481

with the click of a button and choose your aspect ratio and then your future.

00:33:47.121 --> 00:33:49.201

So here you go. Here's your YouTube version.

00:33:50.158 --> 00:33:54.818

So good. It's so good. Like the thing that I really want you to do,

00:33:54.838 --> 00:33:57.218

people, if you haven't done so already, first of all, going,

00:33:57.298 --> 00:34:00.198

uh, Paul gave you the link. You can get your, uh, CME trial.

00:34:00.298 --> 00:34:04.998

We have a promo code and, um, you're going to get a month of free to mess around with this.

00:34:05.158 --> 00:34:11.038

What you really want to do is get in and start trying to cut some stuff down, like see where you are.

00:34:11.178 --> 00:34:17.538

The reason for that is, is it's easier than you think. And I know a lot of people's fear of editing.

00:34:17.678 --> 00:34:21.958

I get where it comes from. I came from editing with actual tapes and two big

00:34:21.958 --> 00:34:23.878

knobs and yeah, painting the butt.

00:34:24.378 --> 00:34:29.558

So when you hear everyone else talk about how much they don't like editing,

00:34:29.758 --> 00:34:33.518

that's because, you know, whatever reason, whatever program they're using,

00:34:33.578 --> 00:34:37.338

that has a tendency to make everybody approach editing from a scared standpoint.

00:34:37.538 --> 00:34:39.898

It's actually not that hard. And number two, it's actually a lot of fun.

00:34:40.678 --> 00:34:46.678

I've been editor for since I was a little wee kid and Liza's edited for major to television.

00:34:46.978 --> 00:34:50.298

So like, trust me, once you start editing, you'll like it.

00:34:50.538 --> 00:34:53.058

Like just don't let everybody else tell you to be scared of something.

00:34:53.138 --> 00:34:56.058

It's like people that say broccoli is delicious. Those people are stupid.

00:34:56.838 --> 00:35:01.358

It could be fun. I promise it is. And thanks for saying that,

00:35:01.398 --> 00:35:03.978

Zach, because I just, I do want to call it something about the editor itself.

00:35:04.678 --> 00:35:07.738

So you'll notice by default, we have this ripple mode turned on,

00:35:07.838 --> 00:35:13.018

but if you're somebody who wants to do some fine tuning, you could easily turn this ripple mode off.

00:35:13.418 --> 00:35:19.178

And what that'll allow you to do is start to trim and, and do things like manually

00:35:19.178 --> 00:35:21.558

here as I am in this in this video.

00:35:22.458 --> 00:35:27.358

So maybe I'm trimming here. And I want to call this out because you can see

00:35:27.358 --> 00:35:29.418

how I'm creating these little gaps here.

00:35:29.498 --> 00:35:32.678

So you're getting these little blank gaps.

00:35:33.018 --> 00:35:40.338

So if I were to turn this ripple mode on, those gaps are now inserted with like

00:35:40.338 --> 00:35:46.578

these little placeholders where I can then and delete, and then things start to ripple together.

00:35:46.838 --> 00:35:51.018

And when I say ripple, just the clips are merging together, so to speak.

00:35:51.218 --> 00:35:55.838

So this is a new feature that we've enabled in our products to make your lives

00:35:55.838 --> 00:35:58.638

a little bit easier when it comes to that fast-paced editing.

00:35:58.798 --> 00:36:01.938

So let's go to this 9 by 16 so you can see what I mean here.

00:36:02.358 --> 00:36:06.818

And Doc, I'm curious, have you started to play around with this on and off switch of the toggle mode?

00:36:07.784 --> 00:36:13.784

No, I did not. And it's funny. It would have came in handy the other day when I was doing something.

00:36:13.984 --> 00:36:20.864

But my only thing that messes me up is I have my tab change connected to the

00:36:20.864 --> 00:36:23.284

tiny little scroll wheel on the side of my mouse.

00:36:23.284 --> 00:36:26.004

Because you know you have the regular scroll wheel but this

00:36:26.004 --> 00:36:28.984

fancy Logitech has this which I normally

00:36:28.984 --> 00:36:31.844

move the timeline and what it does in

00:36:31.844 --> 00:36:34.664

Chrome is it changes tabs so I'm going to

00:36:34.664 --> 00:36:37.324

edit I get my mouse precisely where I want it and I go

00:36:37.324 --> 00:36:40.384

split it is like boom now you're looking at buying iPhones

00:36:40.384 --> 00:36:45.144

what wait other than

00:36:45.144 --> 00:36:48.044

that if the workflow is so easy it's easy to adjust to

00:36:48.044 --> 00:36:52.124

and yeah it's kind of crazy and same

00:36:52.124 --> 00:36:55.044

thing here you could see i'm expanding my timeline and

00:36:55.044 --> 00:36:58.464

minimizing it so it's a way for you to zoom in on your

00:36:58.464 --> 00:37:01.484

timeline same with the the vertical zoom

00:37:01.484 --> 00:37:05.944

you could see i'm minimizing by just simply clicking we do have hot keys as

00:37:05.944 --> 00:37:09.204

well so if i wanted to do that with my keyboard i could hold down shift minus

00:37:09.204 --> 00:37:14.104

shift plus and you could see the the timeline's getting vertically larger and

00:37:14.104 --> 00:37:19.544

smaller in terms of keyboard shortcuts i'll call out that we have them all listed here.

00:37:19.664 --> 00:37:22.504

So if you ever get lost and you want to know, well, how do I split?

00:37:22.724 --> 00:37:23.984

You could search for split.

00:37:24.244 --> 00:37:28.904

How do I create a freeze frame? You can search freeze and there it is shift F.

00:37:29.084 --> 00:37:35.964

So if we really like this as our first frame, let's get Katie smiling here. There she is.

00:37:36.304 --> 00:37:42.124

Okay, cool. And we could click shift F and now that should have generated.

00:37:42.224 --> 00:37:45.744

Oh, here we go. We have to actually be on the clip itself shift f

00:37:45.744 --> 00:37:48.904

and there we go it's getting added that frame

00:37:48.904 --> 00:37:55.824

here of the three um subjects are now getting added as that you know freeze

00:37:55.824 --> 00:38:04.044

frame for youtube if we wanted to put that in youtube oh that's so good we got

00:38:04.044 --> 00:38:05.804

various form of freeze face face.

00:38:08.244 --> 00:38:14.184

Again, the speed is absolutely incredible because it's all this is happening on their server.

00:38:14.284 --> 00:38:17.744

You don't really have to worry about if your computer is slow or whatever.

00:38:17.964 --> 00:38:21.784

This is great. This is excellent for editing in a hotel. Trust me,

00:38:21.824 --> 00:38:23.444

I'm in a hotel all the damn time.

00:38:24.664 --> 00:38:27.824

It's you guys, everybody's coming to camp. You get to play around.

00:38:27.964 --> 00:38:32.504

But I have two questions that I want to cover, Linda wants to know is,

00:38:32.644 --> 00:38:35.164

will you be adding some more formatting shapes?

00:38:37.344 --> 00:38:42.344

Yeah. I meant to ask you, can we combine shapes yet? That's so big.

00:38:42.344 --> 00:38:44.704

We make any shape is combining shape.

00:38:45.837 --> 00:38:50.917

Yeah, yeah, yeah. When you say more formatting shapes, you can,

00:38:51.117 --> 00:38:55.157

I mean, in terms of actual shapes, you can absolutely start to.

00:38:55.637 --> 00:39:00.037

I know what she's talking about. She's talking about, well, Linda,

00:39:00.077 --> 00:39:02.217

you just messed this up. Can we talk about these shapes?

00:39:02.297 --> 00:39:09.577

Are you talking about 16 by 9, 1 by 1, 2.16 by 1? What do you mean?

00:39:09.977 --> 00:39:13.257

Now, I have to wait for her answer because that was confusing.

00:39:13.937 --> 00:39:16.897

I think I know what you're talking about, like the aspect ratios.

00:39:17.077 --> 00:39:19.617

Yeah, that to your point, we

00:39:19.617 --> 00:39:23.597

will be adding the ability from AI Shorts to change those aspect ratios.

00:39:23.777 --> 00:39:27.437

But as I mentioned, you could absolutely do it manually here.

00:39:27.517 --> 00:39:30.557

You could modify those scene settings, change that format as well.

00:39:31.397 --> 00:39:34.597

You see people, this is why I'm telling you guys, nomenclature matters.

00:39:34.897 --> 00:39:39.037

Aspect ratio is not shapes. So this is why my brain was like, what?

00:39:39.877 --> 00:39:43.417

When you say shapes, I'm thinking like when I was in school and I put the triangle

00:39:43.417 --> 00:39:45.057

into the circle hole. Yeah, that was me.

00:39:47.117 --> 00:39:51.797

So Stephen had this way back in the beginning and I want to cover it because it's so simple.

00:39:52.097 --> 00:39:57.317

Stephen said like, does Ecamm have a workflow from Ecamm to scenery to like

00:39:57.317 --> 00:39:59.457

capture or captivate, whatever order makes sense.

00:39:59.457 --> 00:40:05.217

And yeah, we do have a workflow from eCamp to scenery, but what's dope is once

00:40:05.217 --> 00:40:11.157

it's in scenery, like it's, you have a clip that you can download and send it

00:40:11.157 --> 00:40:13.417

to wherever you want, right? And,

00:40:14.609 --> 00:40:17.469

i think that's the part that's so cool because what i've been

00:40:17.469 --> 00:40:20.789

doing in the past is i used to have to make my

00:40:20.789 --> 00:40:26.369

file and then i have to export this audio but now while i'm done editing the

00:40:26.369 --> 00:40:32.849

video i hit export audio right away and then i do export to video so while it's

00:40:32.849 --> 00:40:36.829

generating that audio clip i just take the audio clip and throw it to authentic

00:40:36.829 --> 00:40:39.329

and authentic sends it to captivate for me.

00:40:39.509 --> 00:40:42.909

So, um, yeah, it's, it's a simple workflow.

00:40:43.029 --> 00:40:46.869

It's not very hard, but I really love the fact that while you're exporting something,

00:40:46.989 --> 00:40:50.249

say you're exporting a video clip and you want to start tweaking on something

00:40:50.249 --> 00:40:52.009

else you can't. Oh, speaking of

00:40:52.009 --> 00:40:55.969

which, let's show them how to beautify the audio on the bottom timeline.

00:40:56.169 --> 00:40:59.789

Oh yeah. Thanks for calling that out. So as you can see here,

00:40:59.849 --> 00:41:02.389

we've got some audio, um, on my main track.

00:41:02.649 --> 00:41:06.609

I can easily just lower and raise that audio bar.

00:41:06.609 --> 00:41:09.709

You'll see in our audio panel over here

00:41:09.709 --> 00:41:12.709

you could clean that audio we could also raise that

00:41:12.709 --> 00:41:15.809

bar and lower it manually by shifting the

00:41:15.809 --> 00:41:18.889

slider now let's say there's a moment where it peaks

00:41:18.889 --> 00:41:22.489

and when I say peak that you could see how these wave

00:41:22.489 --> 00:41:26.909

these wavelengths here are kind of a little

00:41:26.909 --> 00:41:29.809

bit higher than over here let's say we wanted to

00:41:29.809 --> 00:41:33.169

make those a little bit lower and keep the audio

00:41:33.169 --> 00:41:36.769

on the other part of this clip that same level well

00:41:36.769 --> 00:41:43.469

I can easily select option which will bring me into a keyframe mode for those

00:41:43.469 --> 00:41:47.329

who know are familiar with other editing tools this will allow you to create

00:41:47.329 --> 00:41:52.449

an audio keyframe we also have this button here called audio keyframe that allows

00:41:52.449 --> 00:41:56.649

you to enter this audio keyframe mode where I could then click.

00:41:57.703 --> 00:42:00.883

A few times on this panel on

00:42:00.883 --> 00:42:03.783

this audio bar here and what I'm going to do I'm going to go click v now

00:42:03.783 --> 00:42:07.723

back to my selector and you could see I'm raising

00:42:07.723 --> 00:42:11.003

and lowering just that section here so

00:42:11.003 --> 00:42:13.943

I can maintain this volume level

00:42:13.943 --> 00:42:16.723

to be at that level while this one I

00:42:16.723 --> 00:42:19.523

can lower or raise as well so there's a

00:42:19.523 --> 00:42:22.363

bunch of audio options for you as I

00:42:22.363 --> 00:42:25.063

mentioned cleaning audio so if you wanted to get rid of

00:42:25.063 --> 00:42:27.923

that ambient noise you can easily click that and

00:42:27.923 --> 00:42:31.123

that'll get rid of that ambient noise as well yeah

00:42:31.123 --> 00:42:34.203

that's really really helpful because um also

00:42:34.203 --> 00:42:37.223

you know in some of the social media platforms you

00:42:37.223 --> 00:42:41.943

want to start with the weird little ai thing uh this is when she walked into

00:42:41.943 --> 00:42:47.263

walmart right so you can purposely drop that portion of the clip so that it

00:42:47.263 --> 00:42:52.283

doesn't fight the little you know ai thing that you throw in at the front and

00:42:52.283 --> 00:42:55.083

then so this is how you do that you can cut a little space for that,

00:42:55.183 --> 00:42:58.903

or you want to, you know, let the music impact or you have sound effects or

00:42:58.903 --> 00:43:00.343

something that you want to impact there.

00:43:00.483 --> 00:43:04.943

The other thing that's really cool is inside scenery.

00:43:05.123 --> 00:43:10.783

If you go up on stock media, if you need to grab a clip from a stock media place

00:43:10.783 --> 00:43:15.863

in order to add some B roll or a little spice to it, you have a couple of different

00:43:15.863 --> 00:43:19.343

options in there as well. So awesome.

00:43:22.743 --> 00:43:25.823

I'm searching out beat music I could preview it

00:43:25.823 --> 00:43:28.723

by selecting the clip here

00:43:28.723 --> 00:43:34.323

previewing it out and add it to my project boom there it is and then we could

00:43:34.323 --> 00:43:37.403

add once that's queued up and uploaded we could just pop that in the beginning

00:43:37.403 --> 00:43:41.243

I also added a fade at the beginning of this video too so you'll notice that

00:43:41.243 --> 00:43:47.843

you have the option to fade your audio at the front end as well so if you wanted to have it,

00:43:48.584 --> 00:43:53.264

naturally fade in, you could do that too. Something else I want to call out,

00:43:53.304 --> 00:43:56.824

Doc, in this view, which we already called out the safety overlays,

00:43:56.904 --> 00:43:59.644

which is pretty sweet. That's one of my favorite features as well.

00:43:59.984 --> 00:44:04.664

You could change the overlays here. You also can show beyond the edges.

00:44:05.164 --> 00:44:10.684

And what that will do is just show you the actual raw video itself too.

00:44:10.784 --> 00:44:15.644

So you could see beyond the edges. If I want to adjust Doc to be in frame here,

00:44:15.784 --> 00:44:18.124

you could see that too. I didn't know that.

00:44:18.644 --> 00:44:23.404

Oh my God. Oh my God. See this, do this stuff, people. I didn't know that.

00:44:23.444 --> 00:44:25.684

And I use this tool freaking every dang day.

00:44:25.884 --> 00:44:28.624

I didn't know that. Oh my God, it's so good.

00:44:29.044 --> 00:44:33.244

And do you know this little trick, Doc? If I hold down, I'm hovering over the

00:44:33.244 --> 00:44:36.284

center of my preview player. I thought we was friends.

00:44:39.184 --> 00:44:44.764

Sorry, I'm just pulling out all the trick. So if I hover over the center here

00:44:44.764 --> 00:44:49.204

and I click minus, you're going to see that that view, the zoom level gets zoomed

00:44:49.204 --> 00:44:52.064

in and zoom out. I'm clicking minus and plus now and I'm adjusting.

00:44:52.444 --> 00:44:55.384

Obviously you could manually do that here too, to zoom to fit,

00:44:55.484 --> 00:44:59.484

but it is nice if you hover and you click minus, you could easily play around

00:44:59.484 --> 00:45:00.604

with the zoom level as well.

00:45:01.304 --> 00:45:04.824

Oh, that's good. Oh, that's faster. Yeah.

00:45:05.824 --> 00:45:09.204

It's nice, right? I had to have you come on and do these things.

00:45:09.424 --> 00:45:14.284

Y'all are in trouble, man. Listen, y'all gonna see unnecessary cuts coming out of me now.

00:45:16.584 --> 00:45:22.564

And at the end of it, I've been doing this with me and...

00:45:26.618 --> 00:45:30.058

This is so good, people.

00:45:30.278 --> 00:45:37.658

I really want you to go and play with scenery. I'm telling you, it is a game changer.

00:45:37.898 --> 00:45:41.778

It is a time saver. It makes your life so much easier.

00:45:42.138 --> 00:45:49.538

And it kind of takes away some of the excuses that most people have when it comes to producing.

00:45:49.678 --> 00:45:52.338

And I think many people can shoot a video all day.

00:45:52.518 --> 00:45:57.258

I think when most people panic is when it comes time to edit and scenery just

00:45:57.258 --> 00:45:59.998

makes it shmood just like the silica.

00:46:02.238 --> 00:46:07.598

It we do really um amplify the process of video editing and we make it fun that's

00:46:07.598 --> 00:46:12.438

the goal right we want to make this process enjoyable and a lot of um some of

00:46:12.438 --> 00:46:17.378

our ecamm users right now um i will call out if i go back home here they're

00:46:17.378 --> 00:46:21.358

using scenery as a platform for all their hosting all their media and their assets.

00:46:21.658 --> 00:46:26.698

So you can easily, you know, get organized with all of your different shows

00:46:26.698 --> 00:46:28.958

or your episodes with our team collections.

00:46:29.438 --> 00:46:34.938

And what that will let you do is, you know, just stay on brand and also just stay organized.

00:46:35.078 --> 00:46:41.118

So here you've got scenery in 60 seconds, a bunch of episodes that I've started to import here.

00:46:41.258 --> 00:46:44.358

I could go into any project and access these.

00:46:44.518 --> 00:46:48.918

I also called up before I've got a brand kit. So you could save those styles as well.

00:46:48.918 --> 00:46:51.858

But let's just say I've got my scenery

00:46:51.858 --> 00:46:55.238

logos bugs things like that title cards let's

00:46:55.238 --> 00:46:58.378

say in this video here that we were working on I want to

00:46:58.378 --> 00:47:03.158

add an intro card well I've already saved it to my brand kit so I could easily

00:47:03.158 --> 00:47:07.938

navigate to the beginning of this video here and let's just go command up so

00:47:07.938 --> 00:47:10.738

I take it to the beginning of this you can see that play heads at the beginning

00:47:10.738 --> 00:47:15.578

here I'm gonna click brand kit and I'm gonna click scenery and I've already

00:47:15.578 --> 00:47:17.698

nicely I've nicely assembled all my assets here,

00:47:17.818 --> 00:47:20.218

title card. Let's say we want the scenery.

00:47:20.518 --> 00:47:23.298

Well, this is our own card, but let's say we want it at the beginning here.

00:47:23.738 --> 00:47:27.418

I'm gonna go ahead. I'm gonna insert this at the play head.

00:47:28.743 --> 00:47:33.383

And boom, there it is. Obviously, let's turn off those YouTube shorts.

00:47:33.703 --> 00:47:37.583

Maybe we want to zoom in here too. So boom, there's that scenery logo.

00:47:38.063 --> 00:47:40.403

And now we've got a cool little intro.

00:47:41.023 --> 00:47:43.783

Obviously, it's kind of long. I'm going to just start to trim that.

00:47:43.823 --> 00:47:46.003

As I trim that, notice what's happening on my timeline.

00:47:46.543 --> 00:47:49.663

Everything's moving with me. It's because we got that ripple mode on.

00:47:49.903 --> 00:47:53.363

So it's dragging everything with me. So I don't have to do the manual process

00:47:53.363 --> 00:47:56.103

of deleting and bringing it back in.

00:47:56.103 --> 00:47:58.883

That you could see here um let's just

00:47:58.883 --> 00:48:02.003

show not be on the edges here's that

00:48:02.003 --> 00:48:04.943

scenery logo and then it goes into the flow obviously that's

00:48:04.943 --> 00:48:08.363

not on on par with the the

00:48:08.363 --> 00:48:11.223

episode here but if you had that flow intro we could easily add

00:48:11.223 --> 00:48:14.083

that add that in as well but still smart i can

00:48:14.083 --> 00:48:17.283

see a time coming where um brands will

00:48:17.283 --> 00:48:22.203

be sponsoring people's clips because clips get so much more traction so much

00:48:22.203 --> 00:48:26.743

more eyeballs and even if it is a bumper at the end of a clip they'll be like

00:48:26.743 --> 00:48:29.903

what was that what was that what was that people are nosy they can't help themselves

00:48:29.903 --> 00:48:33.003

they want to go look at it so i can see it coming because they do it in news

00:48:33.003 --> 00:48:35.843

now when we get our mini clips from the news here,

00:48:36.383 --> 00:48:40.523

it's always sponsored by long's drugs and i was like oh yeah i forgot my prescription.

00:48:42.863 --> 00:48:47.023

So it works i mean it totally works like it totally remembers me remembers me

00:48:47.023 --> 00:48:50.863

reminds me me, I need to go to the drugstore to grab something real quick,

00:48:51.003 --> 00:48:53.123

but yeah, so I can see it coming.

00:48:54.003 --> 00:48:58.323

You can also import other things like this animated transition that I've got here.

00:48:58.703 --> 00:49:02.223

So if you've already got, again, as I said, assets saved in Ecamm,

00:49:02.323 --> 00:49:07.063

we could just plop some of these cool ones in and there's this one just going.

00:49:08.524 --> 00:49:11.484

Across the screen here um but we could like make that

00:49:11.484 --> 00:49:14.544

bigger so that way it's a cool transition from you know

00:49:14.544 --> 00:49:18.084

katie to whoever it may be in the in the

00:49:18.084 --> 00:49:21.044

video see that's also smart because

00:49:21.044 --> 00:49:24.444

i've done that before i've made um assets you

00:49:24.444 --> 00:49:27.364

know using uh motion or after effects

00:49:27.364 --> 00:49:30.364

and i've used them in ecam but um

00:49:30.364 --> 00:49:33.504

yeah my actual end card and

00:49:33.504 --> 00:49:36.564

my outro they're they're animations

00:49:36.564 --> 00:49:40.484

which i can save with alpha channel and then bring

00:49:40.484 --> 00:49:43.824

them in the scenery and it should work right yeah exactly

00:49:43.824 --> 00:49:46.524

we support yeah we support alpha so if you're

00:49:46.524 --> 00:49:49.544

making an apple motion or after effects or just simply

00:49:49.544 --> 00:49:52.424

you know if you've got a green screen um you

00:49:52.424 --> 00:49:55.484

could also keyframe that green screen out by um

00:49:55.484 --> 00:49:59.304

simply selecting from our transitions effects and

00:49:59.304 --> 00:50:02.124

animations and you can click green screen

00:50:02.124 --> 00:50:04.884

filter and drag that on obviously this isn't a green screen

00:50:04.884 --> 00:50:07.584

but if you had a cool green screen like animation you could

00:50:07.584 --> 00:50:10.884

easily key that out oh listen

00:50:10.884 --> 00:50:14.124

listen here i'm gonna throw something in the project assets it's

00:50:14.124 --> 00:50:17.324

uploading it's done uploading it's gonna transcode and then

00:50:17.324 --> 00:50:21.584

you can actually show them so now you can see why collaborating is dope i just

00:50:21.584 --> 00:50:30.004

sent her a green screen thing this is so cool that is awesome okay so we got

00:50:30.004 --> 00:50:34.484

the squirrels let's go ahead this is from my community because i'm always squirreling

00:50:34.484 --> 00:50:36.124

in the middle of doing what we're supposed to be.

00:50:36.204 --> 00:50:45.084

Doing so i love it bro that's awesome some squirrels just floating across the

00:50:45.084 --> 00:50:49.344

screen here we could obviously scale those up if we want to make them a little bit larger,

00:50:50.700 --> 00:50:53.720

See, that's funny. So if you're in the middle of your clip and you start saying

00:50:53.720 --> 00:50:56.640

something stupid, it has nothing to do with what you're doing.

00:50:58.020 --> 00:51:01.200

Just roll across the screen. Oh,

00:51:01.200 --> 00:51:05.000

God. I hope Gretchen is here to see that because this is all her fault.

00:51:06.360 --> 00:51:09.320

That's amazing. And you could add that, fade those in and out.

00:51:10.000 --> 00:51:13.780

Come back, dude. Come back. Now you're starting to talk about something that

00:51:13.780 --> 00:51:14.620

has nothing to do with this.

00:51:17.260 --> 00:51:22.260

That's great. and you could modify that animation, the effect as well.

00:51:22.360 --> 00:51:28.640

So I just simply select the effect here and I can adjust and fine tune and do all that fun stuff.

00:51:28.940 --> 00:51:35.920

So back to the top here, Doc, as you could clearly see the AI shorts is pretty

00:51:35.920 --> 00:51:41.400

easy to do and you could always fine tune and edit further,

00:51:41.680 --> 00:51:44.620

but the AI shorts feature really just gets you

00:51:44.620 --> 00:51:47.600

going on your edit it that much quicker and

00:51:47.600 --> 00:51:50.800

faster especially when it comes to producing uh social

00:51:50.800 --> 00:51:54.640

shorts for other channels yeah 100

00:51:54.640 --> 00:52:00.300

look gang uh this is absolutely the best so um as we round this out liza what

00:52:00.300 --> 00:52:06.320

is the best way to uh for people to find you or to bother you well besides at

00:52:06.320 --> 00:52:11.840

camp and we're at camp we're doing team purple stuff do not bother my teammate okay not the same.

00:52:14.440 --> 00:52:19.300

Yeah i'll i'll be at camp and i'm pumped i'm so excited to be part of team purple

00:52:19.300 --> 00:52:24.380

but yes i'm here to help i'm not just designated for team purple i'll be i'll be,

00:52:25.422 --> 00:52:28.262

Helping out whenever you need me.

00:52:28.302 --> 00:52:35.062

But when it comes to general scenery inquiries and help, we do have a scenery help center.

00:52:35.182 --> 00:52:40.422

We also have the ability for you to book custom onboarding calls with me.

00:52:40.482 --> 00:52:44.482

So you could always jump in with me and we could do a quick session with whatever

00:52:44.482 --> 00:52:47.022

you're running into, whatever questions you have.

00:52:47.222 --> 00:52:52.462

But when you jump into scenery for the first time, we will give you the opportunity

00:52:52.462 --> 00:52:55.942

to try out scenery for a trial period.

00:52:56.262 --> 00:53:00.242

And I think, Doc, you have the EcammFam code.

00:53:00.602 --> 00:53:06.762

If you type in EcammFam at checkout, we'll give you a month free of scenery as well to test it out.

00:53:07.762 --> 00:53:13.722

Oh, 100%. Now, listen, gang, I want to make sure that this is super important.

00:53:13.842 --> 00:53:17.562

I want you to hear me, hear me clearly. I am an ex-fruit farm employee.

00:53:18.162 --> 00:53:23.942

Steve Jobs was my boss. I used to walk across the yard and look at the window

00:53:23.942 --> 00:53:25.962

on the fourth floor to see if he was up there,

00:53:26.062 --> 00:53:29.462

because sometimes he would just look at us in the courtyard and I just like

00:53:29.462 --> 00:53:34.882

best 20 to 83. Please go to the fourth floor. You're fired.

00:53:35.982 --> 00:53:40.262

I used to be like, you know, walking. So, yeah, even as an employee,

00:53:40.462 --> 00:53:43.882

I was there when their editor came out.

00:53:44.142 --> 00:53:49.422

I am a certified instructor for the editor and I still use CineReap probably more than that.

00:53:49.622 --> 00:53:55.642

For the very simple reason that when I go in there, I will tweak, okay?

00:53:55.782 --> 00:53:58.242

Because I have all of these things that I can do.

00:53:58.602 --> 00:54:01.902

We were talking about this in our class the other day. Sometimes when you're

00:54:01.902 --> 00:54:05.562

coming home from work and you're super tired or whatever, there is nothing better

00:54:05.562 --> 00:54:07.542

than a peanut butter and jelly sandwich.

00:54:08.382 --> 00:54:12.702

Sometimes all the art is in the limitations, right? Right.

00:54:13.143 --> 00:54:16.863

The funny thing is, Cineway's gotten so good since I used to say that all the

00:54:16.863 --> 00:54:19.743

time, most of those limitations are still missing.

00:54:20.063 --> 00:54:24.903

So, I mean, at this point in time, it is on par with what everyone else is telling

00:54:24.903 --> 00:54:26.603

you to edit with, but they're crazy.

00:54:26.803 --> 00:54:30.603

This is easy. I can teach my grandmother to do this.

00:54:30.723 --> 00:54:34.163

There'll be lots of swearing and lots of pinching, but my grandmother could

00:54:34.163 --> 00:54:36.003

do this. Like it is really that simple.

00:54:36.323 --> 00:54:40.323

So it has what you need to get the work you need to get done.

00:54:40.343 --> 00:54:44.683

It doesn't have a bunch of unnecessary stuff that's designed for,

00:54:44.763 --> 00:54:47.143

you know, trying to get to the film world.

00:54:47.243 --> 00:54:50.123

We're not trying to do that. We're trying to create content for social media

00:54:50.123 --> 00:54:51.103

and things of that nature.

00:54:51.303 --> 00:54:58.343

So just know it's not, it's not really training wheels, but it's training wheels.

00:54:58.523 --> 00:55:01.063

I don't know. I don't know a better way to say it. I think those bikes they

00:55:01.063 --> 00:55:02.703

got now, no training world. You just kick them.

00:55:03.203 --> 00:55:07.683

It's like that. Uh, so please go in and try it for yourself.

00:55:07.903 --> 00:55:09.623

It has become my favorite editor.

00:55:09.843 --> 00:55:13.363

There's no better place I would rather be. And I tried doing dumb stuff like,

00:55:13.463 --> 00:55:15.723

oh, you can edit this in Canva. No, you can't.

00:55:16.003 --> 00:55:21.183

No, you can't. Like this is literally the best thing out. Cedric is one of our favorite partners.

00:55:21.703 --> 00:55:25.163

And they're always willing to have fun. We're like, hey guys, we'll do something fun.

00:55:25.563 --> 00:55:31.123

And they're like, yeah, how? Okay, let's go. So that is also the reason why we love you guys so much.

00:55:31.363 --> 00:55:34.723

So yeah, let's get out of here, people.

00:55:35.243 --> 00:55:41.083

I want to remind you that this was brought to you. Well, I said that backwards.

00:55:41.243 --> 00:55:46.123

This is a man, listen, podcast people. If you want to find out more about the

00:55:46.123 --> 00:55:48.663

flow, you can go to flow.ecam.com.

00:55:48.703 --> 00:55:52.463

That's F-L-O-W-E-C-A-M-M.com.

00:55:52.843 --> 00:55:56.363

And this will allow you to connect to all your favorite podcasting places.

00:55:56.783 --> 00:56:01.063

That's your YouTube, Apple podcast, Spotify, wherever your podcast getting is got.

00:56:01.263 --> 00:56:05.903

And we also give you the opportunity to leave us a voicemail.

00:56:05.963 --> 00:56:08.523

You can leave us some feedback, leave us a review. Of course,

00:56:08.543 --> 00:56:09.223

that's always beautiful.

00:56:09.503 --> 00:56:13.523

Any of those things can happen over at flow.ecam.com.

00:56:13.643 --> 00:56:17.903

And we use Captivate as our hosting platform.

00:56:18.623 --> 00:56:24.983

Captivate is really cool in the fact that it allows you to have a growth mindset with your podcast.

00:56:25.183 --> 00:56:29.763

There's a lot of places to put your podcast, but Captivate helps you put it

00:56:29.763 --> 00:56:32.043

and then push it out to wherever it needs to go.

00:56:32.163 --> 00:56:36.563

Learn how to grow your podcast and more at Captivate.fm.

00:56:36.803 --> 00:56:41.663

And as of last week, we talked about it. I know, sponsor! Scenery!

00:56:42.643 --> 00:56:46.203

We actually planned to do this before this, but I just wanted to let you know

00:56:46.203 --> 00:56:47.203

that scenery is the way to go.

00:56:47.263 --> 00:56:51.883

And if you don't know that, just rewind for the last 58 minutes and you'll find out why.

00:56:52.163 --> 00:56:58.303

Because it's just literally the bee's knees hall of fame hashtag Diana Gladney. So check out scenery.

00:56:58.423 --> 00:57:02.003

You can find them at scenery.video that's scenery.video.

00:57:02.263 --> 00:57:04.183

And then tell them Liza sent you.

00:57:07.212 --> 00:57:10.152

Thanks doc love the plug i'm here

00:57:10.152 --> 00:57:13.052

to help them always oh my god

00:57:13.052 --> 00:57:16.532

it is literally the best thing ever so

00:57:16.532 --> 00:57:19.552

people going to get the scenery on um and

00:57:19.552 --> 00:57:22.972

then wait i make sure i'm not confusing myself did

00:57:22.972 --> 00:57:25.912

you guys just start um or are

00:57:25.912 --> 00:57:30.372

you starting affiliate at any time soon yeah we have an affiliate program if

00:57:30.372 --> 00:57:35.452

you go to scenery.video backslash affiliate you could sign Sign up to be an

00:57:35.452 --> 00:57:38.172

affiliate with us and you can

00:57:38.172 --> 00:57:43.912

start to send other people to scenery and we all can benefit from that.

00:57:44.852 --> 00:57:48.252

You see? So there you go. For those of you guys who have your own communities

00:57:48.252 --> 00:57:50.132

and you're doing your thing, start messing around with scenery.

00:57:50.312 --> 00:57:53.072

Then after you fall in love with it, go tell everybody else and then you're good.

00:57:53.672 --> 00:57:56.432

You know what I mean? We need as many people playing scenery as possible so

00:57:56.432 --> 00:57:58.512

we can keep having fun. That's all I'm saying.

00:57:59.532 --> 00:58:07.132

So thank you. This is amazing. and if there's any way for you to send an Italian

00:58:07.132 --> 00:58:09.692

beef sandwich to Hawaii, I'm pretty sure.

00:58:10.632 --> 00:58:15.252

Cool. Actually, I just discovered one of the conferences is in Chicago and I

00:58:15.252 --> 00:58:18.612

told Katie, I was like, I don't care. We can't even say we're going.

00:58:18.852 --> 00:58:22.752

If we have to just like mute you, we're going because she's like,

00:58:22.852 --> 00:58:23.592

I'm going to go to Chicago.

00:58:23.832 --> 00:58:27.772

I'm like, we're going. So I forgot which conference it is. I think it's Podcast

00:58:27.772 --> 00:58:31.432

Evolutions, but we're coming to Chicago.

00:58:32.352 --> 00:58:40.132

Awesome. I'll be there, but I'll see you first in Boston. Go Team Purple, but I'm here to help.

00:58:40.372 --> 00:58:44.632

So I'm not exclusive just to Team Purple.

00:58:44.792 --> 00:58:48.672

I will be helping out at the camp. I'm excited.

00:58:49.192 --> 00:58:52.892

Look, speaking of Team Purple, what up, Yolanda? Yolanda has made it.

00:58:53.192 --> 00:58:56.232

Team Purple is in the building. Okay, fam, I appreciate you guys.

00:58:56.572 --> 00:59:01.392

We will see you next week. Same bad time, same bad channel on the flow.

00:59:01.532 --> 00:59:04.452

Thank you, Liza. You have been amazing.

00:59:04.792 --> 00:59:08.532

I don't really see any questions left over.

00:59:09.092 --> 00:59:12.312

Um, let me double check. I think we got everything.

00:59:12.732 --> 00:59:17.152

Yeah, we got everything. We're gravy. Okay. So Louise, you can play the cue

00:59:17.152 --> 00:59:19.212

music. We'll see y'all next week. Peace out.

00:59:19.312 --> 00:59:22.372

A-Town Stump. Flo Riders! Out!

00:59:23.760 --> 00:59:45.866

Music.